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The inventor of sure-fire failures leads such an abysmal life that he creates a second identity, that of a dashing, debonair womaniser.

With scenes at times current and at others medieval, dramatic or overloaded with useless gestures, Jarry, Ubú Patagónico is a dialogue with “Ubú Rey”, by Alfred Jarry, and his decalogue about theatre. The work also explores Jarry's non-theatrical texts until the material is appropriated in its immateriality by a group of Patagonian Indians who take Mother Ubú prisoner.

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在仍带有吉斯卡尔时代印记的80年代初的法国，西蒙、托尼和斯蒂芬妮代表着新一代人。他们准备好全力以赴去拥抱这新的十年，却并不清楚自己的人生究竟该如何度过。从他们所在郊区的最深处，他们那具有革命性的想法将推动整个……的性解放。

In this exclusive first person account, Johnnie Ashe will relay this previously unknown chapter of his brother Arthur's legacy. Johnnie, five years Arthur's junior, returned from his first tour in Vietnam with the Marines. At the time, Arthur Ashe was a lieutenant in the Army working at West Point in data processing while fast becoming a rising star in the tennis world. When Johnnie was sent home however, Arthur suddenly became in danger of being sent to Vietnam. Johnnie volunteered to be sent back to the war in his brother's place so that Arthur could continue his budding tennis career. Johnnie would return home, and Arthur would go on to win the inaugural 1968 U.S. Open en route to a Hall of Fame career in tennis, made possible by his brother's selflessness.

Based on the play of the same name by I. Popov and L. Stepanov, staged by the State Academic Maly Theater of the USSR.

"Remembering Arthur is a feature-length documentary about an influential yet little-known Canadian filmmaker. Although the Montreal-born artist's work won many awards and received an Oscar nomination, his life ended tragically in suicide. This intimate portrait explores Lipsett's creative genius and impact on film while illuminating his fascinating life story. The film is directed by filmmaker Martin Lavut, Arthur's closest friend."